<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
xmlns:rawvoice="http://www.rawvoice.com/rawvoiceRssModule/"
>

<channel>
	<title>KillerFilm &#187; Ken Loach</title>
	<atom:link href="http://www.killerfilm.com/tags/ken-loach/feed" rel="self" type="application/rss+xml" />
	<link>http://www.killerfilm.com</link>
	<description>REVIEWS, NEWS, INTERVIEWS, AND MORE!</description>
	<lastBuildDate>Sat, 11 Feb 2012 17:31:29 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1.2</generator>
<!-- podcast_generator="Blubrry PowerPress/2.0.3" -->
	<itunes:summary>REVIEWS, NEWS, INTERVIEWS, AND MORE!</itunes:summary>
	<itunes:author>KillerFilm</itunes:author>
	<itunes:explicit>no</itunes:explicit>
	<itunes:image href="http://www.killerfilm.com/wp-content/plugins/powerpress/itunes_default.jpg" />
	<copyright>KillerFilm.com 2012</copyright>
	<itunes:subtitle>REVIEWS, NEWS, INTERVIEWS, AND MORE!</itunes:subtitle>
	<image>
		<title>KillerFilm &#187; Ken Loach</title>
		<url>http://www.killerfilm.com/wp-content/uploads/powerpress/144x1442.jpg</url>
		<link>http://www.killerfilm.com</link>
	</image>
		<item>
		<title>150 hour film will screen this month</title>
		<link>http://www.killerfilm.com/articles/read/150-hour-film-will-screen-this-month-17813</link>
		<comments>http://www.killerfilm.com/articles/read/150-hour-film-will-screen-this-month-17813#comments</comments>
		<pubDate>Thu, 12 Nov 2009 17:57:22 +0000</pubDate>
		<dc:creator>Daniel Herrera</dc:creator>
				<category><![CDATA[News Archive]]></category>
		<category><![CDATA[12 Monkeys]]></category>
		<category><![CDATA[Cinematon]]></category>
		<category><![CDATA[Gerard Courant]]></category>
		<category><![CDATA[Joel lautier]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Life Is Beautiful]]></category>
		<category><![CDATA[Roberto Benigni]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Terry Gilliam]]></category>
		<category><![CDATA[The Wind That Shakes The Barely]]></category>
		<category><![CDATA[white dog]]></category>

		<guid isPermaLink="false">http://www.killerfilm.com/?p=17813</guid>
		<description><![CDATA[Gerard Courant, the man behind the film Cinematon will screen his latest opus later this month in Avignon, France. The film will be a 150 hour film comprised of 2000 segments, each of which last 3 1/2 minutes long and are directed by different individuals chosen by the filmmaker himself. Obviously, the film will contain [...]]]></description>
			<content:encoded><![CDATA[<p>Gerard Courant, the man behind the film <em>Cinematon </em>will screen his latest opus later this month in Avignon, France. The film will be a 150 hour film comprised of 2000 segments, each of which last 3 1/2 minutes long and are directed by different individuals chosen by the filmmaker himself. Obviously, the film will contain scenes directed by filmmakers of higher notice such as Terry Gilliam (<em>12 Monkeys</em>), Ken Loach (<em>The Wind That Shakes The Barely</em>), Roberto Benigni (<em>Life is Beautiful</em>), Samuel Fuller (<em>White Dog</em>) and even chess master Joel Lautier. The film was originally started back in 1978, with Gilliam&#8217;s portion shot back in 1985. When the film was intended to only be  100 short portraits, it grew in popularity that one can only assume is now a force of habit with the immense running time.</p>
<p>Looong run time aside, do you think you would attend the screening if you had the chance? Note, no word yet if intermissions will be given during the 150 hour film.</p>
<p>Source: <a href="http://www.telegraph.co.uk/culture/film/film-news/6529343/The-worlds-longest-film-lasting-150-hours-to-be-screened.html" target="_blank">UK Telegraph</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.killerfilm.com/articles/read/150-hour-film-will-screen-this-month-17813/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cannes 09&#8242; winners</title>
		<link>http://www.killerfilm.com/articles-2/read/cannes-09-winners-7664</link>
		<comments>http://www.killerfilm.com/articles-2/read/cannes-09-winners-7664#comments</comments>
		<pubDate>Tue, 26 May 2009 15:06:29 +0000</pubDate>
		<dc:creator>Daniel Herrera</dc:creator>
				<category><![CDATA[Antichrist]]></category>
		<category><![CDATA[Cache]]></category>
		<category><![CDATA[cannes film festival]]></category>
		<category><![CDATA[Charlotte Gainsberg]]></category>
		<category><![CDATA[Funny Games]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Lars Von Trier]]></category>
		<category><![CDATA[Looking For Eric]]></category>
		<category><![CDATA[Michael Hanke]]></category>
		<category><![CDATA[The Piano Teacher]]></category>
		<category><![CDATA[The White Ribbon]]></category>

		<guid isPermaLink="false">http://www.killerfilm.com/?p=7664</guid>
		<description><![CDATA[Michael Hanke finally received a well earned Palm D&#8217;or award over the weekend, when his hit film The White Ribbon won the coveted prize at this years Cannes film festival.    Ribbon marks the first win for Haneke whose previous films brought both controversy and high acclaim at previous years in Cannes starting with Funny [...]]]></description>
			<content:encoded><![CDATA[<p><em><span style="color: #800000;">Michael Hanke </span></em>finally received a well earned Palm D&#8217;or award over the weekend, when his hit film <em><span style="color: #800000;">The White Ribbon</span></em> won the coveted prize at this years <em><span style="color: #800000;">Cannes film festival</span></em>.    Ribbon marks the first win for Haneke whose previous films brought both controversy and high acclaim at previous years in Cannes starting with <em><span style="color: #800000;">Funny Games </span></em>and leading up to such brilliant work as <em><span style="color: #800000;">Cache </span></em>and<em><span style="color: #800000;"> The Piano Teacher.</span></em></p>
<p>Never one to not stir up strong feelings on his work Danish director <em><span style="color: #800000;">Lars Von Trier&#8217;s Antichrist </span></em>walked away with the best actress prize for <em><span style="color: #800000;">Charlotte Gainsberg</span></em>.   <em><span style="color: #800000;">Antichrist </span></em>was easily the most talked about film of the fest with people having such strong hate for the film or respect and love for the work.    The films biggest shock came with a small prize given years by a  Ecumenical Jury  at the fest for work that has high spiritual value, when after presenting <em><span style="color: #800000;">Ken Loach</span></em> with this years award for his film<em><span style="color: #800000;"> Looking For Eric</span></em> then presented <em><span style="color: #800000;">Anti Christ </span></em>with an &#8216;award&#8217; for being &#8221;the most misogynist movie from the self-proclaimed biggest director in the world&#8221; .</p>
<p>This years full list of winners:</p>
<div class="text">
<p><strong>Palme d&#8217;Or</strong><br />
DAS WEISSE BAND (The White Ribbon) directed by Michael HANEKE </p>
<p><strong>Grand Prix</strong><br />
UN PROPHÈTE (A Prophet) directed by Jacques AUDIARD</p>
<p> </p>
<p> </p>
<p><strong>Lifetime achievement award for his work and his exceptional contribution to the history of cinema</strong></p>
<p>Alain RESNAIS<br />
<strong>Best Director </strong><br />
Brillante MENDOZA for KINATAY <br />
<strong><br />
Jury Prize</strong><br />
FISH TANK directed by Andrea ARNOLD</p>
<p>BAK-JWI (Thirst) directed by PARK Chan-Wook</p>
<p><strong>Best Performance for an Actor</strong><br />
Christoph WALTZ in INGLOURIOUS BASTERDS directed by Quentin TARANTINO  <br />
<strong><br />
Best Performance by an Actress</strong><br />
Charlotte GAINSBOURG in ANTICHRIST directed by Lars von TRIER  </p>
<p><strong>Best Screenplay</strong><br />
MEI Feng for CHUN FENG CHEN ZUI DE YE WAN (Spring Fever) directed by LOU Ye  <br />
<strong><br />
Prix Vulcain: Artist-Technician</strong><br />
Aitor BERENGUER, sound technician of the movie MAP OF THE SOUNDS OF TOKYO directed by Isabel COIXET.</p>
<p><strong>IN COMPETITION &#8211; SHORT FILMS</strong><br />
<strong><br />
Palme d&#8217;Or</strong><br />
ARENA directed by João SALAVIZA<br />
<strong><br />
Special </strong><strong>Distinction</strong></p>
<p>THE SIX DOLLAR FIFTY MAN directed by Mark ALBISTON, Louis SUTHERLAND<br />
 </p>
<p><strong>CAMERA D&#8217;OR </strong><br />
SAMSON AND DELILAH directed by Warwick THORNTON (presented at Un Certain Regard)</p>
<p><strong>Caméra d&#8217;Or – Special Distinction</strong><br />
AJAMI directed by Scandar COPTI, Yaron SHANI (presented at Quinzaine des Réalisateurs)</p>
<p><strong><br />
UN CERTAIN REGARD</strong><br />
<strong><br />
Prix Un Certain Regard &#8211; Fondation Groupama Gan pour le Cinéma</strong></p>
<p>KYNODONTAS (Dogtooth) by Yorgos LANTHIMOS</p>
<p><strong>Jury Prize</strong></p>
<p>POLITIST, ADJECTIV (Police, Adjective) by Corneliu PORUMBOIU. <br />
<strong><br />
Special Prize Un Certain Regard 2009</strong></p>
<p>KASI AZ GORBEHAYE IRANI KHABAR NADAREH (No One Knows About Persian Cats) by Bahman GHOBADI</p>
<p>LE PÈRE DE MES ENFANTS (Father of My Children) by Mia HANSEN-LØVE</p>
<p><strong>CINEFONDATION</strong></p>
<p><strong>First Cinéfondation Prize</strong></p>
<p>BÁBA by Zuzana Kirchnerová-Špidlová (FAMU, République Tchèque)</p>
<p><strong>Second Cinéfondation Prize</strong></p>
<p>GOODBYE by Song Fang (Beijing Film Academy, Chine)</p>
<p><strong>Third Cinéfondation Prize </strong>(<em>ex aequo</em>)</p>
<p>DIPLOMA by Yaelle Kayam (The Sam Spiegel Film &amp; TV School, Israël)</p>
<p>NAMMAE UI JIP (Don&#8217;t Step out of the House) directed by Jo Sung-hee (Korean Academy of Film Arts, Corée du Sud)</p>
<p> </p>
<p>Source: <a href="http://www.festival-cannes.com/en/theDailyArticle/56838.html" target="_blank">Festival De Cannes</a></p>
<p class="MsoNormal"> </p>
</div>
]]></content:encoded>
			<wfw:commentRss>http://www.killerfilm.com/articles-2/read/cannes-09-winners-7664/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

<!-- Performance optimized by W3 Total Cache. Learn more: http://www.w3-edge.com/wordpress-plugins/

Page Caching using memcached
Database Caching using memcached
Content Delivery Network via smhttp.13422.nexcesscdn.net/80666D/KillerCDN

Served from: www.killerfilm.com @ 2012-02-12 07:55:00 -->
