Bolt Review

Remember when Disney was the premiere name in all things animation? They might have proven that once again and this time without Pixar’s name stamped to it. While Pixar has created some of the Mouse House’s biggest films this past decade, much of Disney’s own animation branch has been stuck in creatively turmoil. I’m all for experimenting with what works to create new ideas, but outside of Pixar, films like Emperor’s New Groove, Brother Bear, and recently Meet the Robinsons haven’t sold people on the quality over quantity that Walt has always promised. Personally, I think those three films I mentioned are decent films, but all were disappointments critically and financially.

Not anymore, simply put Bolt is a winner from start to finish.

I give a lot of credit to directors Bryon Howard and Chris Williams for finding the right balance in “new ideas, same result” strategy that failed with Chicken Little and Atlantis. One of the key reasons is that the film features numerous strong, well-written, and memorable characters. Each has their moment to shine and each has their comedy parts. Of course, Rhino, that hamster in that plastic ball is for sure a new icon of the Mouse House. Not only is most of is scenes extremely funny, he’s written perfectly as it never becomes too jokey. His undying hero worship of Bolt is honorable because they built it up naturally and it’s played correctly. In lesser hands, he’s the comedy relief, but here he is, yes, absolutely so, but also has some tender moments that reflects the film’s theme: friendship.

That is where the film wins. It sets up the situation and follows it through not by just laughter and comedy, but with enough lessons and theme to make the film rewarding for adults and kids. Most films are aimed at kids, but parents must suffer through them too. Luckily, the animation features some spectacular action sequences as well as enough moments of comedy to keep most entertained. It’s the formula that Disney Studios have practiced through the years. You have a situation, add characters and comedy, but have them achieve or learn something. This strategy is the reason why classics like Cinderella, Pinocchio, and Lion King have and will stand the test of time. Nothing dates theme or lessons.

But don’t get me wrong. The animation is superb, rivals anything done so far in animations outside of Wall*E, features some clever moments from a different and original story, and finally features some really funny moments. Like I said, it’s a winner; kids will endlessly enjoy the film, adults will be pleased throughout, and repeated viewings aren’t out of the question. Simply put, Bolt is a top-level film that will make you forget about Disney’s direct-to-video line (that they’ve stopped) and other lesser attempts. Pixar is not needed this time.

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