A Haunting in Connecticut – Blu Ray Review
I find the tag line “based on a true story” to be distracting when a film opens with it. I find myself wandering, analyzing or questioning what I’m seeing as fact. Haunting in Connecticut not only opens with that but goes one further, “based on the true story”. Okay, odd.
I’m a natural egghead, so after leaving the theater I started researching this so-called true story. Sometimes writers have to spruce the story up, especially one like this, a ghost story, to make it more interesting or scary. After reading up on the true story, I must admit that for once, it seems, the true story is way more interesting than the film, which is pedestrian at best. Perhaps there was no need to spruce this up?
Ray Garton in 1992 wrote a book called In a Dark Place: The Story of a True Haunting based on the Snedeker family and their encounter with the paranormal during the 1980s. Sadly, any story about ghosts or something of the like is always alleged, but the story of Garton’s book should’ve been the movie. The Snedeker family was facing a lot of issues at the time, mostly drug addiction and alcoholism, couldn’t get their story straight making it very hard for Garton to write the book. He’s even stated he’s glad the book is out-of-print, being displeased with his time working on it. The family was seeing ghosts and other odd things and after a séance it was deemed clear of any activity. Some sources claim it was all fabricated (naturally).
To me, that right there was more entertaining than what I witnessed for 90 minutes. They changed it by making the family move upstate to be closer to this hospital since their son has cancer. The house seemed ideal but “it has some history”. Now, what transpires isn’t bad, in fact the film is directed and acted well; it just feels like ground well covered before. It’s not Peter Cornwell’s fault, the director, or Virginia Madsen’s fault, she is the film’s anchor, so all I can call-out is the script, which offers nothing new or interesting. The history behind the house isn’t that riveting and how many stories do we need or ghosts trying to tell a character what happened to them? There’s too many films already like that, and yes, I am knocking the film for its lack of originality, which is a shame because of the true story of the family, seemed more interesting.
I know I’ve brought up the word interesting a lot here, but I highly doubt if anyone will be scared by this, a shame since, you know, it is supposed to scare us, and even with a few bits of creepy imagery and loud music cues, it just doesn’t. Maybe if the script was worked on again to highlight some of the very few interesting things in the film, build the characters better (we really just care about the mom and the son, everyone else is just filler), the film could’ve worked. But I still feel as if they focused more on the real true story, with the family in turmoil, drugs and alcohol, ramp that angle up, with a little supernatural elements, I think Haunting in Connecticut could have been a standout. But with it being just another haunted house movie, years after the most famous story (Amityville Horror) was filmed, sequelized and remade, this one just gets lost. Or maybe, as I believe, haunted house movies just aren’t that scary?
The Blu Ray:
Audio/Video: The best aspect of the disc is the DTS audio track. The sound design is amazing; loud, bass heavy, every speaker used to create scares, very well done. The video is a good high def transfer, but it is heavy on grain unnecessary so. Black levels are superb but the grain is annoying at times.
Commentaries: The first track, featuring mostly the director and the film crew, is technical and typical. You’ll get all of the nuts and bolts of the production, but its dry. The second features director Cornwell again, but Madsen joins him for a livelier track full of humor and good stories. This is the one to listen too.
Two Dead Boys: Making of…: In HD, this runs 14 minutes and features a standard look at the making of the film through interviews on various subject. Not too deep, but a nice primer course for that first dry commentary track.
The Fear is Real: A two part documentary, shot in HD features the real family behind all of this. This is thorough and worth the peek.
Anatomy of a Haunting: In HD, focuses on the paranormal. Kinda fun.
Memento Mori: In HD, this is one of the disc’s more interesting pieces as it focuses on post-Morten. photography. Worth watching out of these all.
Deleted Scenes, Trailers, and a second disc for the Digital Copy round out the extras.
Conclusion: After a great trailer, the film is ho-hum, but Lions Gate Films did a decent job compiling a good Blu Ray.
The Film: Rating: 




The Blu Ray: Rating: 




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I was hired to write IN A DARK PLACE, the original book about this story. The Snedeker family was a mess and couldn’t keep their stories straight. I told Ed and Lorraine WARREN (not Newman) about the conflicting details and Ed said, “They’re crazy. All the people who come to us are crazy, that’s why they come to us. Just use what you can and make the rest up.” I wanted the book to be published as fiction rather than non-fiction because it CLEARLY wasn’t non-fiction, but it wasn’t. So, seeing the writing on the wall and knowing this would be debunked easily, I immediately came forward with what I knew and denounced the whole thing as the fraud that it was.
The Snedekers’ son Philip was diagnosed with schizophrenia after he molested his cousin and was removed from the house to be institutionalized. He was also a drug addict. I was not allowed to meet him when I was working on the book but spoke to him briefly on the phone while Carmen monitored the conversation. The second Philip began to tell me that the bizarre things he saw and felt in the house went away as soon as he was medicated, Carmen abruptly ended the conversation. These people had a long history of weaseling out of rent and other debts, and the owner of the house at the time knew very well that’s what they were trying to do. They were behind on their rent and when they were threatened with eviction, suddenly they were haunted. The Snedekers got an attorney who then told them not to pay their rent because of the situation in the house (they weren’t paying it, anyway). They knew very well that the house was a funeral home when they moved in — the real estate company involved made NO SECRET of that. Carmen called Ed and Lorraine Warren, who are always eager to prop up any cockamamie story if there’s a book and possible movie deal involved, and they jumped on board. And another big fat paranormal lie was born (like Amityville, which was exposed as a fraud LONG ago, although the Warrens have always maintained it was all real — they’ve never let the facts get in the way). These people are lowlifes who shamelessly exploited their children to get this story in the press and follow it up with a book deal with the help of other lowlifes, Ed and Lorraine Warren. While I was with them working on the book, Carmen repeatedly asked, “Do you think there’ll be a movie? How much money do you think we’ll make from that?” That was her only concern.
Now Carmen is foisting herself onto the public as a “spiritual advisor,” claiming she’s always had paranormal gifts since she was a little girl. But no mention was made of it while I was with them. And if she’s so sensitive, why didn’t she believe her son when he said something was wrong with the house? If she’s so sensitive, why didn’t she KNOW there was something wrong with the house? This story is full of holes you could fly a jet airliner through, and it has evolved over the years. My story has been the same for 17 years. I don’t make a dime from telling the truth and have absolutely no motive for lying other than to set the record straight, because that’s my name on that book of lies. When I learned the whole thing was a crock, I tried to get out of the deal, but I’d already signed the contract. To get out of it would’ve required attorneys and legal fees I simply couldn’t afford at the time. As a result, my name has been soiled by Carmen’s lies, and that’s why I’m still speaking out about it.